Yes, I went to see “Harry Potter and the Goblet of Fire”
That was an adventure worthy of a ballad.
First of all, the only show un English was at 8.30 pm. That would be ok, the film being ca. 2 hours and a little long.
I located the cinema alright, even got the ticket which said that the show would be over a Quarter to Midnight. Now, that was a piece of puzzling info if there was any.
The cinema was the way all cinemas are. Cozy, and smelled of popcorn and was slowly filled with human beings that talked variants of english for a change.
And then… The ADVERTS came, pouring in an endless stream over the minds and eyes of the spectators. Half an hour of pure advertisement, in all shades of ambiguity, at least three variants of tobacco, then cars and pepsi, and You Name It. I became severely aware of the fact that it is not fitting to attend te cinema alone as there is no one to disperse the boredom inspired by the advertisement industry.
Then, the film itself…. I guess, they have made the best of it, the book being so long and the film, so brief. I guess, as a separate piece of art, it was.. ok..
I missed the Veela.
But Voldemort was good.
I had imagined Krum to be a little thinner,
But Madame Maxime exceeded expectations.
Dumbledore looked too nervous,
Harry got too bloody (again)- against all the expectations of biology…
But Sirius in the fireplace was perfect.
Ron for an unknown reason was too awkward,
But Hermione was perfect.
Neville exceeded all expectations.
The episode with the dragon egg was too drawn out.
But the underwater bit was perfect.
The maze was too… alive, and there were no blast-ended screwts,
But the Goblet of Fire was convincing.
I did not mind the Beauxbatons, though they did look a little too much like a school of ballet,
But the kitch on a Russian theme for the Durmstrang was a little overdone.
(I definitely appreciate the ideology behind all the pictures, promoting democratic education, etc. etc.)
The dragons were nice,
But the mer-people were borne by computers….
Rita Skeeter looked like a Merlin Monroe at her worst.
McGonagall was perfect, and so was Snape. And why do I like them so much?
Suddenly, I was impressed of how much suffering can come from choices not one’s own. Actually, the whole life of Harry is a response to choices made for him. This comes through very strongly in this film. There is a binding magical contract, which Harry does not sign, yet he has to fulfill it or die trying. And this contract is actually, a trap, a road to death, which again, Harry does not choose. All the choices here are made not by him, but for him. Fulfilling the contract, he risks his health, life and, what is most important, friends.
This might be a story of fate and dignity. Of standing upright even when the best choice would be cowering. As Dumbledore puts it – to choose between what is right and what is easy. Reality of such choices cannot be discussed here, as it cannot be discussed in life.
That moment before the maze: Dumbledore letting them go in, and saying – the maze is dangerous, not because there are dragons and such things, but because one can lose one’s self there. The spirit of competition might kill the spirit of mercy and humanity. Which almost happens. To play fair and to exercise justice is not the easy thing, as is clearly shown in the Cedrick – Harry interplay.
And the last – but not least – note of the film: it asks a question “do you believe in personal evil?” so … loudly. Because believing in personal evil is as important as believing in a personal saviour.
The film is very different from what is expected, but it is by no means boring.
Now, for the conclusion of the evening/night. The film was (you won’t believe me) cut i n the middle, so that the people could get up and walk round, and so on. And after the break, they STARTED THE SHOW IN GERMAN. Till the public got annoyed, and they switched the right sound-track on.
With kicks and starts, then I got home at about one a.m. Had my evening meal, and moved into the realm of nightmares.
Ah, yes! the Dancing Lesson… a perfect quote of englishness, there: on the eve of the twenty-fourth of december, we traditionally indulge in well-mannered frivolity. McGonagall, as you suspect.
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